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SDG
Gottes Zeit ist die allerbeste Zeit. BWV 106
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.
SDG
2:42 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
Soprano Treble 16 0 3 8 98%
Basso Bass 17 0 5 6 81%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Salve Regina, Josef Rheinberger, WoO 54 Nr. 1
SDG
3:00 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
Soprano Treble 17 0 6 8 100%
Tenore Treble 15 0 6 7 100%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Graduale, Locus iste, Anton Bruckner, WAB 23; á 4.
SDG
2:42 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenore Treble 14 0 4 8 100%
Alto Treble 14 0 4 8 98%
Soprano Treble 16 0 3 8 98%
Basso Bass 17 0 5 6 81%
 
Salve Regina, Josef Rheinberger, WoO 54, no. 1.
SDG
3:00 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 17 0 7 7 100%
Basso Bass 22 0 9 7 100%
Soprano Treble 17 0 6 8 100%
Tenore Treble 15 0 6 7 100%
 
O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).
SDG
3:14 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 2 4 6 95%
Tenor/Bass Bass 21 0 7 6 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 2 4 6 95%
Tenor/Bass Bass 21 0 7 6 95%
Bass
Guitar		 Bass 15 0 3 6 50%
Contrabass Bass 15 0 3 6 50%
 
Nimm mich, o Herr, in deinen Hut, Josef Rheinberger, WoO 51.
SDG
2:58 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
Cello
Kontrabass		 Bass 24 1 9 7 97%
Viola 21 0 7 7 95%
Alt Treble 11 0 2 6 65%
Bass Bass 14 0 3 6 65%
Sopran Treble 11 0 1 4 65%
Tenor Treble 13 0 4 6 65%
 
Nimm mich, o Herr, in deinen Hut, Josef Rheinberger.
SDG
2:58 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine
II		 Treble 21 1 7 7 100%
Violine
I		 Treble 24 0 9 7 98%
Cello
Kontrabass		 Bass 24 1 9 7 97%
Viola 21 0 7 7 95%
Alt Treble 11 0 2 6 65%
Bass Bass 14 0 3 6 65%
Sopran Treble 11 0 1 4 65%
Tenor Treble 13 0 4 6 65%
 
259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
Violoncello Bass 18 0 5 2 100%
Timpani Bass 2 0 0 4 76%
Soprano/Alto Treble 9 0 2 3 63%
Tenor/Bass Bass 17 0 2 4 63%
Flute Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Oboe Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Violin Treble 6 0 1 2 35%
Treble 7 0 1 3 55%
Soprano Treble 7 0 1 3 55%
Viola 7 0 1 4 55%
 
Ere zij God. Dutch Christmas song. Sampleset: Giubiasco. Arrangement: Gertim.
SDG
2:20 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 8 100%
Contrabass Bass 12 0 2 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 9 0 1 8 100%
Contrabass Bass 12 0 2 7 100%
Flute Treble 11 0 2 8 100%
Soprano/Alto Treble 11 0 2 8 100%
Tenor/Bass Bass 17 0 3 8 100%
 
God and God alone created all the things we call our own, is fit to take the universe's throne. Let everything that lives reserve its truest praise, for God and God alone. Steve Green. Phill McHugh. Creator, creation. SATB.
SDG
2:58 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 20 0 3 8 100%
Bass 23 0 7 8 100%
Flute Treble 15 0 1 8 100%
Horn
in
F		 Treble 15 0 1 8 100%
Violin Treble 15 0 1 8 100%
Contrabass Bass 19 0 6 8 50%
Viola 14 0 2 8 50%
Violoncello Bass 19 0 6 8 50%